Who is dryden goodwin

Featured as part of the UK-China Year of Cultural Exchange, this will be the first touring exhibition in China solely devoted to British photography. This exhibition presents a survey of over fifty years of British photography through the lens of documentary practices. Work, Rest and Play features over images by thirty-seven acclaimed photographers and artists working across a wide range of genres and disciplines, including photojournalism, portraiture, fashion and fine art.

Arranged chronologically the exhibition explores British society through changing national characteristics, attitudes and activities over the last five decades. Multiculturalism, consumerism, political protest, post-industrialisation, national traditions, the class system and everyday life all emerge under the broader themes of Work, Rest and Play.

The project presents photographic portraits, from both established and emerging talents, of Londoners, each originating from one of the nations competing at the Games. The exhibition will continue to tour to Beijing and Shanghai at dates to be announced. Each person has a hands-on specialist skill, ranging from tattooing, to wood-turning, to pigeon fancying.

The film was screened at various indoor and outside venues across the county, alongside images from the film being shown on multiple billboard poster sites, as well as a website Commissioned by East Durham Creates and produced by Forma Arts. Selected films from 'Linear' included in a two month installation and screening as part of a Canary Wharf Screen - presentation of recent Art on the Underground projects.

Three animated poster from 'Linear' was one of selected from the Underground-specific posters from the London Underground's year history. The largest London transport poster exhibition in over half a century. Supported by Siemens it showcases of the greatest Underground posters ever produced and features works by many famous artists including Edward McKnight Kauffer and Paul Nash, and designs from every decade over the last years.

It is also the last chance to have your say on the all-time greatest design by voting in the gallery or online in The Siemens Poster Vote. The most popular poster will be revealed at the end of the exhibition. Nearly 40, people have voted so far since the exhibition opened in February.

Entry to the exhibition is included in price of admission. Since its first graphic poster commission in , London Underground has developed a worldwide reputation for commissioning outstanding poster designs, becoming a pioneering patron of poster art - a legacy that continues today. Supported by Siemens, and forming part of the th anniversary celebrations of the London Underground, the exhibition will feature posters by many famous artists including Edward McKnight Kauffer and Paul Nash, and designs from each decade over the last years.

The exhibition will also offer a rare opportunity to view letter-press posters from the late nineteenth century. The exhibition focuses on six themes: Finding your way includes Underground maps and etiquette posters. It also includes posters carrying messages to reassure passengers by showing them what the Underground is like. Brightest London celebrates nights out and sporting events, showing the brightest side of London. Capital culture is about cultural encounters, be these at the zoo or galleries and museums.

Away from it all looks at the way London Underground used posters to encourage people to escape, to the country, the suburbs and enjoy other leisure pursuits.

Keeps London going features posters about how the Underground has kept London on the move through its reliability, speed and improvements in technology.

Goodwin's artwork 'Breathe' was first shown set into London's skyline, as an 8-metre projection screen, constructed on the roof of St Thomas' Hospital, next to Westminster Bridge, facing over the river Thames towards the Houses of Parliament.

From dusk, every night for 3 weeks, in October and November , people on buses, in cars and on foot, crossing Westminster Bridge could see a animation made up of more than 1, pencil drawings of Dryden Goodwin 5-year-old son. The piece, entitled Breathe, was part of a programme of artist and scientist collaborations called Invisible Dust. Featured Artist, contributing a 'seed' animation. It can be accessed via a website and through a physical installation at Tate Modern.

As more sequences are added, the videos dynamically branch out and evolve, forming multiple new visual narratives. The project takes inspiration from the Surrealist idea of the exquisite corpse, a creative exercise in which one person begins a drawing or starts a sentence, then passes it on to a series of other people to continue. Tate have also invited Film4. Starting with the imaginations of Leonardo da Vinci and Francisco Goya and ending with space travel, satellite images and everyday air travel, it is an exciting exploration of creative responses to flight.

Discover classical flight and the fall of Icarus. Learn about the Wright brothers, Yuri Gagarin and the history of aviation and space travel. Explore the uses of flight from everyday travel and transportation to sky battles and air raids. Enjoy spectacular aerial views and satellite imagery. Flight and the Artistic Imagination includes an intriguing combination of paintings, sculpture, photographs, drawings, prints and video, by artists such as Leonardo da Vinci, Henri Matisse, Paul Nash, Peter Lanyon and Hiraki Sawa.

The particular ways in which artists have sought to depict figures who, in their professional lives, are associated with activity and motion are intriguing. Taking the leitmotif of the moving body as its point of departure, Poetry of Motion includes some of the most ambitious works from the Contemporary Collection: of athletes and Olympians, dancers and choreographers; subjects whose dynamism frequently inspires artists to experiment with new forms or new media.

Traditional painted, sculpted and photographic works operate as monuments that testify the strength and form of these elite bodies. Taking a different approach, other artists have incorporated a lightness of touch or non-conventional pose as a way of capturing something of the grace and vigour of their subjects. Selection of past commissions by Film and video Umbrella - 'Closer' was shown as part of their programme called The City in the City. Coinciding with the London Olympic and Paralympic Games, this project set out to bring together portraits of Londoners, each originating from one of the competing nations.

A group show, consisting of 1 work, at Moravska Galerie, Czech Republic Searching Damien, , dip pen and ink drawings and animation on ipod. In the on going series Mould the surface of photographs are given further dimensions. Using folding, scoring and puncturing, intense studies of heads are coaxed onto the cusp of three dimensions. In all senses of the word, Goodwin tries to discover a form for his speculations about these people, through his touch he attempts to reanimate both the surface and the underside of the photographs.

Presented separately and in clusters Mould suggests a proliferation of associations, a breeding ground of imaginative connections. Goodwin, interested in the re-introduction of the hand and mind into the infinitively reproducible photographic image, shapes and constructs these photographic surfaces into unique low reliefs.

The visual is conspicuous by its absence, having been subsumed by sound, which creates a space for the audience to explore. The work can be seen as being made up of two components, the audio, which is installed in the gallery, and the implied visual, which is alluded to but remains absent in the main exhibition space with the exception of documentary evidence. Flight, , soundtrack from single screen film. Steve Nickel, , pencil on paper. Since June , they have been investigating ideas such as time, economics and travel and our changing relationship with them over the last 30 years.

Each work brings a new understanding to these concepts in the context of the Tube. They provide insights into how we use our time when we travel, what broader ideas influence our reasons for travel and the nature of our individual and collective relationships with time and the network. Linear, , 60 drawings, pencil on paper, and 60 films, shot on video. A group show, consisting of 1 work, at Vestfossen Kunstlaboratorium, Vestfossen, Norway Dryden Goodwin showed Two Thousand and Three, , 16mm film loop installation.

It takes as its starting point the contemporary position of artists located in an internationally bound artworld in which ties to nation and national heritage are no longer the dominant or defining strategies they once were. The politics of an election and the shadow of financial breakdown in Britain provides a cyclical point of vantage from which to look to the aggressive and divisive British politics of the late s and the recession of the early s; the rubble from which artists in Britain emerged with little to lose.

Linear, , 60 portraits of Jubilee line staff, pencil on paper, and accompanying films, shot on video. Work presented across digital screens, as leaflets, posters, on exhibition sites and dedicated website. A group show, consisting of 1 work, at Vivid, Birmingham, UK. Reveal short film , , Single screen film, shot on video. A permanent commission consisting of 3 works, for the the Who Am I? Caul 8, , Photographic print mounted on lightbox.

Cradle Head 4, , Scratched photograph. Synapse, , over drawings, pen on paper. Cradle 15, , Scratched Black and White Photograph. Searching Damien, , dip pen and ink drawings and animation on ipod. Red Studies, , 6X watercolours from Red Studies series. Mermaid Arts Centre, Bray, Co. Wicklow, Ireland. Each series features portraits of strangers captured by the artist as he has travelled through London.

The title Cast suggests a plurality of meanings, all of which have resonances with the work, from casting a line to casting a shadow, from casting a film role to casting a sculpture, from casting suspicion to casting a spell. Dryden Goodwin b. He graduated from the Slade School of Fine Art in and has exhibited nationally and internationally. Cradle, , Series of 7, scratched black and white photographs, mm x mm.

Caul, , 7 diptychs, digital photographs with digital drawing, mm x mm. Casting, , 5 Diptychs, Photographs and pencil on paper, diptych size mm x mm. Shapeshifter, , drawings, pencil on paper, each drawing 50mm X Rock, , animation, drawings made with digital stylus and tablet, 6 minutes 40 seconds loop. Flight, , Single screen film, shot on video with drawn interventions. Reveal short film , , single screen film. Sustained Endeavour, , 25 pencil drawings of the same photograph of Sir Steve Redgrave and accompanying animation.

Reveal, , Single screen film shot on video with accompanying soundtrack and 36 Biro drawings. Suspended Animation: 30 drawings of the Same Photograph, , pencil on paper. Two Thousand and Three, , 16mm film loop installation. Cradle 1, , Scratched Black and White Photograph. Flight, , single screen film. Wait, , 5 screen video installation and soundtrack. Ospedale, , Single screen film with soundtrack. Hold, , Single Screen film. Shot on Super 8 screened from video.

Reveal, , Single screen film, shot on video. Dilate, , 8 screen Video installation and soundtrack. Capture, , 11 scratched photographs. Cityscapes, , Restaurant pencil on paper , x cm.

Station pencil on paper x cm. Street pencil on paper x cm. Stay, , video projection, soundtrack and 3 composite photographs. Stay takes three distinct landscapes and presents the viewer with an experience of moving through space while engaging them in the contemplation of still moments. By presenting the individual photographs that make up the animated sequence with the projected image and soundtrack, Stay explores the interplay between momentum and inertia, the imperative for motion and the desire to be still and survey.

The shifting soundscape fuses audio captured on location with additional orchestration by the artist. This emotionally ambiguous journey, through man-made and natural surroundings, is both an invitation to linger in these environments, as well as a driving force to leave, as the viewer rushes through the fleeting landscapes. At what point in the journey have we come in?

Is it impending danger, yearning or exaltation that creates the tension to move through or remain? State, ,State - Amit 9 dry point drawings and one copper plate, x State - Jeff 9 dry point drawings and one copper plate, x State - Jo 9 dry point drawings and one copper plate, x State - City 10 dry point drawings and one copper plate, x A group show, Dryden Goodwin's project consisted of a large scale installation work in the Arsenale at the 50th Venice Biennale, Italy.

Hold, , single screen film, shot on super 8. A group show, consisting of 1 work, at the Baltic, Gateshead, UK. Closer, , 3 Screen video installation and soundtrack.

Closer, , 3 screen video installation and soundtrack. Suspended Animation - 29 Drawings of the Same Photograph, , pencil on paper.

Suspended Animation - 26 Drawings of the Same Photograph, , pencil on paper. Wait, , 5 screen video installation with soundtrack. Drawn to Know, , 3 sequences. Digital stylus and tablet over digital photographs. Wait, , Five screen video installation and soundtrack. A solo show, consisting of 4 works, at Mid Pennine Arts, Lancashire. About, , 3 Screen video installation. Ospedale, , Single screen film. Hold, , Single screen film. Heathrow, , Single screen film. Within, , Four screen video installation and soundtrack.

About, , Three screen video installation and soundtrack. Hold, , Single Screen film, shot on super The exhibition features over 40 GIF images by practitioners from a range of creative disciplines.

Each event intended to offer an insight into the creative process of the artists, illuminating the biomedical science behind the works in the exhibition, and providing an opportunity for audiences to find out more. A 3 part installation: pen and ink drawings on paper Video documentation Duration: 9 hours 30 mins Video animation Duration: 3 minutes Year: Each week a different slide from the set is taken from a glass vitrine and switched with the one in the lantern, creating a slow-motion animation over the course of the exhibition.

Revealed through intimate access is the empathy and dexterity of the surgeon working with the fragility of the human eye; the quest of the planetary explorer to decipher the cosmos and find evidence of life on Mars; and the scrutiny of the British government, by the lawyer, in extraordinary rendition, drone attack and mass surveillance cases.

Exposing the imaginative leaps we take to reveal what might be concealed or out of sight, the film considers both the physical act of looking as well as the tools we use to perceive the world around us and how these form our own identities. Cambridge bus interchange — part of major new development of Cambridge, etched stainless steel metal plates, with portraits drawn by Goodwin as he roamed Cambridge, inset into the paving stones of the main bus interchange. The public will glimpse these portraits in a number of ways; as they pass through the interchange, as they wait for buses at the shelters and also as they return to the interchange, alighting from the buses.

Wander considers how this collection of hand drawn portraits of unknown people from Cambridge, will cause the variety of communities that use the bus shelters to respond. From a day-tripping tourist, who may only see some of the plates, to a local resident having the possibility to discover previously unnoticed etchings along their daily route through the site over many years.

The 72 minute film in 12 parts, focuses on artist Dryden Goodwin's encounters's with 12 people from the East Durham area. Each person has a hands-on specialist skill, ranging from tattooing, to woodturning to horse training. A celebration of dexterity, passion and commitment, capturing a shared deftness of hand and mind, as each person transforms the materials they work with. Breathe is a drawn animation made up of over 1, small intense drawings, featuring the artist's 5 year old son breathing.

The emphasis of the work is that air can both sustain us but also corrupt and damage us. Breathe has developed from 1 of 3 projects curated by Alice Sharpe part of the project Invisible Dust. The mission of Invisible Dust is to encourage awareness of, and meaningful responses to, climate change, air pollution and related health and environmental issues.

It achieves this by facilitating a dialogue between visual artists and leading world scientists. Invisible Dust strives, through its creation of high impact and unique arts programmes, alongside new scientific theories, to create an accessible, imaginative and approachable forum and stimulus.

For the making of this project Goodwin accompanied Louis in different situations over an 18 month period, closely observing his activities and daily routines, for example when at home, at work, in meetings, during meals, in the gym, watching a film or driving his car. Although occasionally alone, he was mostly drawn in the company of others, either one person or a combination of people, all with different relationships with him, for example work colleagues, his trainer, members of his family, his wife, his son, his daughters, his father, his mother or his friends.

Through this activity Goodwin made small pencil drawings, for the majority of the time drawing back and forth between the subject and the individuals he came into contact with, some of the drawings are only a few lines, others are more worked up. Goodwin presents the drawings in two ways: inanimate, in a frame, mounted in the order that they were made and secondly as an animation, in which the drawings are sequenced in multiple combinations to further explore, reflect on and draw out the suggestions and nuances contained within the individual drawings and relationships between them.

Louis considers the idea that a portrait is never adequate to the task of portraying an individual. It still remains that many aspects and subtleties of each interaction are concealed or distorted, however, it seems possible that these absences are active spaces for the imagination. The 'portrait' considers how individuality is expressed and defined by one's relationships with others. Drawing Projects: Dryden Goodwin interview Cornelia Parker, Jeff Koons and William Kentridge are among the artists who have contributed to a new book which explores why draughtsmanship is still fundamental to contemporary practice.

In this edited extract from 'Drawing Projects' by Jack Southern and Mick Maslen, British artist Dryden Goodwin gives a highly personal account of why he thinks drawing is the most emotive and revealing medium available to an artist. Smiling street urchins, bathing orphans and exhausted immigrants gaze at the supposedly neutral camera. The discussion will also explore the legacy of this kind of portraiture.

Recently, Dryden Goodwin has made a series of portraits of 60 London underground staff going about their work, and filmed himself working with his subjects. How does this process differ from photography?

And how has public art developed, over the course of the last century? The discussion will be chaired by Camilla Brown, a curator and writer on contemporary art. For the update of the Who am I? Goodwin makes portraits of strangers he sees in passing on the street and public transport, and uses drawing, photography and film to attempt to discover insights into these strangers.

He sees relationships between the way he uses drawing as an act of speculation and exploration and scientists' uses of instruments to try and understand the human brain. As well as responding to physical appearance, Goodwin's drawn marks seem to make visible the unseen aspects of the individuals he draws, suggesting a sense of mystery and the unknowable.

In turn, through these richly detailed portraits, as viewers we arrive at our own conclusions about his subjects, their thoughts and feelings. Seeing them reminds us of the mysteries inherent in being human, which we may never completely unravel. We find ourselves asking questions about whether science or art gives us a truer picture, or whether they just reveal different things.

On the cusp between a preserved world of tradition and ceremony and a contemporary one of media scrutiny and celebrity culture, Prince William encapsulates the myriad of dilemmas that confront the Royal Family as it evolves.

He is seemingly available to all in pictures and interviews, whilst a real sense of this heir to the throne is inevitably ungraspable and out of reach. Working from video stills selected from YouTube produced a balance for me between intimacy and remoteness. I've created decontextualised moments; the portrait is composed of different expressions with his eyes shut, possibly of contemplation or of fleeting ecstasy or sorrow.

When making the work my imagination was filled with a kind of accentuated sense of Prince William. I like this idea of developing my own imagined knowledge of him through the act of painting with watercolour; speculating, interested in what might be revealed.

As 'Life Between Islands' opens at Tate Britain, two painters reflect on the importance of place to their work. Sign In My Account. Issue Dryden Goodwin. Neal Brown is an artist and writer based in London, UK. Features , Interviews. EU Reviews , Reviews. Reviews , UK Reviews. Five Shows to See in Scandinavia this Autumn. Each mark became a record of this observational process. After a while I wanted to escape the artificial nature of the whole set up, so I began drawing people on tubes, on trains, on the street and in parks.

Each drawing becomes a record of a time spent looking and thinking. I think drawing is about observation, but it's as much to do with imagination or how you process your observation, or how the circumstances you're in at the time affect the process of looking.

Over the time spent looking there's a sort of fantastical element that enters in - an almost hallucinogenic thing where your sense of what you're looking at changes.