Where is turbo from the movie breakin

He would videotape all the sessions. At the Motown 25 performance, he just did one backslide, and then he did another backslide and that was it. He does a circular thing, and then the rest is history.

That became the precursor to him growing as a solo freestyle dancer. Some of those dance moves were aggressive, but nonviolent. Back up! You would get on your knee and kick one leg straight out.

One knee would be on the floor and your one leg would be stretched out and your arms would be to your side, like an airplane position. Once balanced, and as you do hand-over-hand cross, hand-over-hand cross, you pick up enough speed to release your hands from the ground and turn on your knee. My knee is still injured from that. I got into studying eels and sea life. If you look at how smooth an eel, an octopus, or a jellyfish is in the ocean, how they glide with buoyancy, it is mesmerizing.

I wanted to kind of imitate the illusions of natural life, that reptilian smoothness. Liquid is the smooth and the waving part of how I dance, but the animation is when I become robotic and toy-like. You would roll your wrist and then point. So rolling, then point, point, point, rolling, point, point, point. The lock is almost like a chicken wing, like the funky chicken. Your arms would lock in place.

After you roll and point, you would lock to make like a pause. Popping was like spasms. Each movement was pretty much timed to the bass and snare of any track that was played.

I usually make Parliament or Afrika Bambaataa a reference, because if you hear the bass and snare you would tense and pop to the bass and the snare.

Tighten and release, tighten and release. So the pop was tightening, and the release is a snap. It would be like jerk, semi-pivot, jerk, tighten and release of each joint. You had to really think like you were mechanical and engage each movement very slowly, like a machine. When a machine has, like, a rotary turning pivot, there is always usually a sound. You engage each arm, each rib at every move.

If you were standing up and you sat down, there has to be a slow, mechanical-like motion that engages your torso and your knees and your arms, and you would lock in position, but do it like a machine so it was more mechanical. Normski from the Rock Steady Crew does his incredible robot with white gloves on in the movie Flashdance. Breakdancers, B-Boys, on the street, New York, Ticking is moving like the second-hand dial on a watch. Tick, tick, tick, but sped up.

If you imagine a watch — the second-hand dial on a watch or a stopwatch. Each movement you make is in different frames. You could walk in that motion, tick, tick, tick, tick, and you change your movement to that beat, tick, tick, tick, tick.

For me, the uprock was like an adrenaline booster. It was a precursor before you did the power moves because every breakdancer had to really be strong enough to execute those moves with precision. When I would see people uprock, that was like when a runner does light cardio to limber up. Ken Swift from Rock Steady said when they did the uprock in New York, it was a way of disrespecting your enemies. Teresa Kelly Vicky as Vicky as T. Joel Silberg. More like this. Watch options. Storyline Edit.

Comedy Drama Music Romance. Did you know Edit. Trivia In the first "street dancing" scene, in which Kelly accompanies Ozone and Turbo to the beach, the audience watching the dancing is comprised of surfers and beach bums. A man in a black singlet claps with the music. It's Jean-Claude Van Damme in his first on-screen appearance. According to Van Damme, he tried hard to draw attention to himself by jumping in the air and doing flips, but they were not included in the film. All that can be heard is music and the main characters dialog.

Quotes Turbo : You owe me seven dollars man. Franco : For what? User reviews 70 Review. Top review. A glimpse of what hip hop was to become. Back in , hip hop as a social phenomenon didn't exist. Hip hop was still the "trendy" music from New York City that somehow was gaining the attention of Hollywood. For some, it was great, for others it was the beginning of something that has yet to be recaptured, the innocence of a new and fresh musical artform, and a culture.

Nonetheless, "Breakin'" is a film that takes place in California where Kelly Lucinda Dickey is hoping to make it with her dancing. He goes to the beach and catches a dance routine with a few breakdancers, Turbo and Ozone.

She loves it, and eventually becomes their friend. One of them finds her attractive, the other chooses to pop his way through life. Kelly's family doesn't want her to be hanging around with the "hoodlums", but Turbo and Ozone simply want to hang out and have fun. Kelly finds herself learning the street-style of dance, and treats it as a serious artform rather than a bunch of guys dancing on cardboard for the hell of it.

Looking back, it seems very much like a Hollywood version of what can really happen when two cultures clash shades of "West Side Story" , but the film has good music, good dancing, a decent story, and it looks back at a time when hip hop as a whole was trying its hardest to gain respect. Five extra points for Lucinda Dickey, who was easily one of the more beautiful actresses of the 80's.

John Book Jun 16, Details Edit. Release date May 4, United States. United States. Golan-Globus Productions. Box office Edit. Technical specs Edit.